Recent highlights include invitations to the Asian Composers League Festivals in Vietnam, Taiwan, New Zealand and Japan, serving as a panelist for Women Leaders in Classical Music at the Francophonie Festival, and commissions from Tonhalle Düsseldorf and the Düsseldorfer Symphoniker as well as the International Double Reed Society. She has presented her research at leading institutions worldwide, including the University of Auckland (New Zealand), Mimar Sinan Fine Arts University (Turkey), and the Princess Galyani Vadhana Institute of Music (Thailand), contributing to international discourse on contemporary music scholarship. A two-time recipient of Malaysia’s Boh Cameronian Arts Awards and featured in Top 10 of Asia’s list of New Generation Music Composers, she has been recognised for her contributions to contemporary music in the region.
Her compositional and research practice integrates diverse artistic disciplines and global perspectives through music composition. Informed by both Southeast Asian and Western traditions, her work explores repetition, texture, and cultural hybridity as means of articulating a voice that integrates heritage and contemporary expression, cultivating a distinctive and continually evolving compositional language.