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DTSTART;TZID=Asia/Singapore:20231025T000000
DTEND;TZID=Asia/Singapore:20231028T235959
DTSTAMP:20260523T142531
CREATED:20230730T060045Z
LAST-MODIFIED:20231025T120348Z
UID:29638-1698192000-1698537599@www.ystmusic.nus.edu.sg
SUMMARY:Performers(') Present 2023: International Artistic Research Symposium
DESCRIPTION:PROGRAMME \n25 October 2023 – 28 October 2023 \nAll-day Event\, Seminar Room 3Damien Ricketson and Diana Chester: Listening to Earth Installation \nAll-day Event\, Seminar Room 4Composition Department: A Creation Installation \n25 October 2023\, 1pm-10.30pm \n1pm-2pm\, Box OfficeRegistration \n2pm-2.45pm\, Orchestra HallOpening Address \n3pm-4.30pm\, Various Locations \nPaper Presentation Session 1 — Resonances and Traditions (Location: Ensemble Room 1) \n\nGrace Chan: The impact of post-COVID digital transformation on global bell and carillon culture\nNing Hui See: Performer’s Process — Concert Programming for Women Composers\nMiao Kai Wen\, Benedict Ng and Frances Lee: (Re)Sounding Stories — An Intermodal Approach to Robert Schumann’s Märchenerzählungen\n\nPaper Presentation Session 1 — Performances and Practices: Time and Tides (Location: Recital Studio) \n\nBernard Lanskey: Tides of Change — Currents through Time uncovered in returning to a personally significant work 30 years after presenting its first performance\nOlga Stezhko: ‘Blooming’ — nurturing the power of international solidarity in supporting post-colonial countries through collaborative artistic projects\n\n 4.30pm-5pm\, Orchestra Hall FoyerFlowing Coffee and Student Performance \n5pm-6pm\, Orchestra HallPerformance: Morse – YSTeve Reich \n6pm-7pm\, Foreword CafeDinner Reception \n7pm-7.30pm\, FoyerFlowing Processional: The Seventh Angel & Project Re-Sonating \n7.30pm-8.30pm\, Concert HallPerformance: The Art of War — Final Chapter \n8.30-9.15pm\, Orchestra Hall FoyerFlowing Drinks \n9.15pm-10.30pm\, Orchestra HallPerformance: The Circle of Life \n26 October 2023\, 8.30am-10.30pm \n8.30am-9am\, Orchestra Hall FoyerFlowing Coffee \n9am-10am\, Orchestra HallKeynote Address \n\nDarla Crispin: Poetry in Motion? – interrogating the respective merits of flow\, stasis and resonance as states conducive to artistic research\n\n10am-11.30am\, Various LocationsPaper Presentation Session 2 — Currents in Higher Education: Unfolding Resonances (Location: Ensemble Room 1) \n\nJeremy Cox: The Resonant Mirror and the Flowing Journey — Currents and Concentricities in the Structural and Affective Organisation of Calligrammes by Francis Poulenc\nOrchestra Institute: The Rep Dilemma & Futures Flowing (OI at Year 5)\n\nPaper Presentation Session 2 — Performances and Practices: Constructing Identities (Location: Ensemble Room 2) \n\nNiranjan Pandian: Pravah — Melodic Resonances\nKoay Loong Chuen (Jellal) and Joan Tan Jing Wen: Negotiating Artistic Identities as a Young Artist in a Cosmopolitan Society\n\n11.30am-12.30pm\, FoyerLunch and Student Performance \n12.30pm-1.30pm\, Recital StudioPlenary Performance: Schwanengesang \n1.30pm-3pm\, Various Locations \nPaper Presentation Session 3 — Music and Health in the Community (Location: Ensemble Room 1) \n\nKathleen Agres: Introducing YST’s Centre for Music and Health: Recent Findings and Personal Reflections\nKhoo Hui Ling and Kathleen Agres: Resonating in Society — Musical Storytelling in Community Outreach\nElicia Neo: Pain/Relief — Linking Generative Technology with Accessibility Design\n\nPaper Presentation Session 3 — Performances and Practices: Strings in Resonance (Location: Ensemble Room 2) \n\nYung-Yu Lin: Ars Combinatoria in George Rochberg’s 50 Caprice Variations for Solo Violin (1970)\nSu Zar Zar and Gabriel Lee: Resonating Strings — A Performance Featuring the Myanmar Harp and Violin\n\n3pm-3.30pm\, Front Foyer (near Music Library)Flowing Coffee \n3.30pm-4.15pm\, Concert HallOf Rivers and Gongs: A Southeast Asia Symphony Sharing Session \n4.30pm-5.30pm\, Concert HallOpen Rehearsal: Southeast Asian Golden Age Symphony \n5.30pm-6.30pm\, Recital StudioPlenary Presentation: Resonance through Time \n7.30pm-8.30pm\, Orchestra HallPerformance: Homages \n8.30pm-9.15pm\, Orchestra Hall FoyerFlowing Drinks \n9.15pm-10.15pm\, Orchestra HallPlenary Performance: Flow States \n27 October 2023\, 9am-10pm \nSchedule \n9am-10am\, Orchestra Hall FoyerFlowing Coffee \n10am-11am\, Orchestra HallKeynote Address \n\nRobert Cutietta: The View from the Top – Leaders of the World’s Music Conservatories Perspective on the Pandemic and what it means for the Future of Music Teaching\n\n11am-12.30pm\, Various LocationsPaper Presentation Session 4 — Local Reverberations (Location: Ensemble Room 1) \n\nPatcharee Suwantada & Joseph Bowman: Expanding 21st Performer Genre Boundaries — A Case Study on Introducing Thai Luk Thung Elements to Thailand Trumpet Performers\nMei Artanto: Recombination of Music Traditions in Yogyakarta Royal Orchestra Performance\nBenjamin Harris: Phenomenologies of Transient Migrant Music-Making in Singapore\n\nPaper Presentation Session 4 — Performances and Practices: Cross Currents (Location: Ensemble Room 2/Audio Arts Lab) \n\nClara Wigger\, Richard Winkler and Soniya Rakhmatullina: Crossing Musical Boundaries (Ensemble Room 2)\nHo Chee Kong and Lin Xiangning: Narrating a Re-imagination of Works (Audio Arts Lab)\n\nPaper Presentation Session 4 — New Media: Flowing Gestures (Location: Recital Studio) \n\nPhilippe Spiesser: GeKiPe (a Gesture-based Interface for Audiovisual Performance)\nThomas Green and Nozomi Omote: The Sounds of Chow Gar\n\n12.30pm-1.30pm\, Concert HallPlenary Presentation: Putting One’s Heart into Music – The Musical Journey by Elaine Chew \n1.30pm-2.30pm\, FoyerLunch and Student Performance \n2.30pm-4pm\, Various Locations \nPaper Presentation Session 5 — Local Reverberations (Location: Ensemble Room 1) \n\nDavid Chin: Bach in the Far East\nChen Zhangyi: A ‘New Nanyang Style’? From Bunga Mawar to Kampung Spirit\n\n Paper Presentation Session 5 — Local Reverberations (Location: Ensemble Room 2) \n\nYST Composition Department: On “A Creation”\nDamien Ricketson and Diana Chester: Listening to Earth\nSEADOM 30 under 30: Sight-seeing — A River-inspired Project\n\nPaper Presentation Session 5 — Currents in Higher Education: Embodying Resonances (Location: Recital Studio) \n\nLászló Stachó: Mastering the future\, the present\, and the past — A novel musical attention training for performers\nManus Carey: RNCM Innovate — Defining the Future of Music\nTomomi Ohrui: A continuous professional development as an artistic citizen — An example of socially engaged practice using idiomatic improvisation as a tool to reworking and reusing\n\n4pm-4.30pm\, Orchestra Hall FoyerFlowing Coffee and Student Performance \n4.30pm-5.30pm\, Orchestra HallFrom Naples to Nanyang: Flowing Futures in Music Higher Education \n5.30pm-7pm\, Orchestra Hall FoyerPhD Launch\, Cocktail Celebration and Canape Buffet \n7pm-8.15pm\, Concert HallPlenary Performance: Dances and Dreams — From Paris to Singapore \n8.15-9pm\, Orchestra Hall FoyerFlowing Drinks \n9pm-10pm\, Orchestra HallPerformance: Late Night \n28 October 2023\, 9am-10.30pm \n9am-10am\, Orchestra HallKeynote Address \n\nAnothai Nitibhon: ‘Being’ in the Flow: Performing in Ever-evolving Musicscapes.\n\n10am-10.30am\, Orchestra Hall FoyerFlowing Coffee \n10.30am-12pm\, Various LocationsPaper Presentation Session 6 — New Media: Sonic Explorations (Location: Ensemble Room 2) \n\nJuan Parra Cancino: An Experimental Performance of Eliane Radigue’s Early Feedback Works\nAlfonso Benetti and Ana Norogrando: Artistic Research and Activitism — beyond music\, multimedia and visual art\n\n Paper Presentation Session 6 — New Media: Tradition and Innovation (Location: Recital Studio) \n\nAndrew Filmer and Sulwyn Lok: Breaking Free — Transcontinental Collaboration in the New Digital Landscape\nAinolnaim Azizol: Malay Sound Arts — Reimagining Biophony and Geophony Materials for Seed of Life\n\n12pm-1pm\, FoyerLunch \n1pm-2pm\, Orchestra HallDiscussion Performance: Melvyn Tan on Kevin Volan’s L’Africaine \n2pm-3.30pm\, Various Locations \nPaper Presentation Session 7 — Performances and Practices: Analysing Performance (Location: Ensemble Room 2) \n\nCecilia Oinas and Danijel Detoni: Iowing Between Tactile and Sonic-Corporeality\, Empathy and Bonding in Piano Four Hands Music\nNicholas Sutherland Kennedy: Reflectiongs on a Recording — A Case Study in the Interaction between Analysis and Praxis\n\nPaper Presentation Session 7 — Performances and Practices: Tradition and Innovation (Location: Recital Studio) \n\nNeal Peres Da Costa and Anna Fraser: Reimagining Schubert’s song cycle “Schwanengesang” through novel artistic and practice-led methods\nLin Xiangning: “Made expressly for the climate!”\n\n3.30pm-4pm\, Orchestra Hall FoyerFlowing Coffee \n4pm-4.30pm\, Orchestra HallClosing Dialogue \n7.30pm-9pm\, Concert HallPerformance: Southeast Asian Golden Age Symphony Premiere \n9pm-10.30pm\, Orchestra HallClosing Reception \nABOUT THIS EVENT \nHuman experience is filled with flowing resonances: from distant stars\, to temple bells\, from concert stages\, to the creative depths translated into a musical phrase – being a performer present is embodying flowing resonances. \nAs the Yong Siew Toh Conservatory of Music celebrates its 20th year\, we reflect upon musical resonances flowing in and out of Southeast Asia and particularly – since hosting its inaugural artistic research symposium in 2009 – towards the global synergistic growth in the field of artistic research. \nAs with our four previous artistic-research symposia\, Flowing Resonances seeks to address the kaleidoscopic issues facing musicians as they develop their musical art; creative practices rippling within the repercussions of global sociopolitical shifts – including the 2020 pandemic\, the climate crisis\, and the everevolving digital landscape – all challenging and inspiring what it means to be a twenty-first century musical artist. \nPlease join us for what promises to be a fun and inspiring day! Find a detailed breakdown of the events going on and register at webapp.performerspresent2023.com. \nTICKETING INFORMATION \nRegister at webapp.performerspresent2023.com. \nOut of respect for other concertgoers\, no children under 6 years of age will be allowed admission. \n* All event information is correct at time of print. \nSubscribe to YST’s mailing list.
URL:https://www.ystmusic.nus.edu.sg/event/performers-present-2023-international-artistic-research-symposium/
LOCATION:Various Venues\, Singapore
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