BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//YST Conservatory - ECPv6.15.17//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:YST Conservatory
X-ORIGINAL-URL:https://www.ystmusic.nus.edu.sg
X-WR-CALDESC:Events for YST Conservatory
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Singapore
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:+08
DTSTART:20180101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20191026T120000
DTEND;TZID=Asia/Singapore:20191026T120000
DTSTAMP:20260714T085058
CREATED:20191014T051047Z
LAST-MODIFIED:20191014T051047Z
UID:5665-1572091200-1572091200@www.ystmusic.nus.edu.sg
SUMMARY:Lunchtime Concert - Paulo De Assis Presents Beethoven's Op. 61
DESCRIPTION:PAULO DE ASSIS\, piano and presenter CONSERVATORY ORCHESTRA \nPROGRAMME\nAn experimental exploration of \nBEETHOVENConcerto in D major\, Op. 61 \nABOUT THE EVENT\nA culmination of a week-long workshop\, this lunchtime multimedia experimental performance will be the result of a collaborative exploration of Beethoven’s soundscape through the mind of Paulo de Assis\, reflecting his unconventional performance strategies\, in dialogue with the musicians of the Yong Siew Toh Conservatory’s orchestra. \nIn Beethoven’s catalogue\, the number “61” refers not only to a violin concerto\, but also to a piano concerto\, a piece usually neglected by pianists and concert organizers. Whereas the violin version breathes serenity and lyrical expression\, the piano version includes a fully notated cadenza full of rage\, obsessive rhythms\, and military motifs. Thus\, the general character of the violin concerto seems to be upset by the piano cadenza. Are we missing something? Is there another way of approaching this piece? Are there any other pieces from that period\, by Beethoven or others\, that might shed new light on this discrepancy of characters? What is the role of a military march evoking the Marseillaise in the middle of the cadenza? Is there a hidden political agenda to Beethoven’s op. 61? These questions will be exposed within a musical framework\, including selected passages from the concerto and other pieces\, in a kaleidoscopic presentation of the richness of available materials and creative opportunities for innovative performance practices. \nThis performance is presented as part of Performers(‘) Present 2019: Telling Stories. \nABOUT THE SYMPOSIUM\nNarratives – whether historical\, political\, or musical; whether fact or fiction – are inextricably bound to the ways we experience the world\, and the art that translates these experiences. \nIn the decade since we began hosting the triennial Performers(‘) Present symposium\, artistic research has been undergoing rapid and ground-shifting transformations\, with the performer’s voice becoming ever more present. As with our previous symposia\, Telling Stories seeks to address and evolve the kaleidoscopic issues facing 21st-century performers\, as they reflect on their practice in the context of significant shifts in politics\, communications and technology\, and performance practice.  \nCome join us and the artistic research community at the Yong Siew Toh Conservatory of Music from 23 – 26 October 2019\, as we reflect on the power of music narratives and celebrate their narrators in Performers(‘) Present 2019: Telling Stories. \n\n\n\n\nLearn More\n\n\n\n\nTICKETING INFORMATION\n• Free admission.• All event information is correct at time of print.• Out of respect for other concertgoers\, no children under 6 years of age will be allowed admission.
URL:https://www.ystmusic.nus.edu.sg/event/lunchtime-concert-paulo-de-assis-presents-beethovens-op-61/
LOCATION:Conservatory Concert Hall\, Yong Siew Toh Conservatory of Music\, 3 Conservatory Drive\, 117376\, Singapore
ATTACH;FMTTYPE=image/jpeg:https://www.ystmusic.nus.edu.sg/wp-content/uploads/2019/10/20191026-Paulo-e1571028897239.jpg
END:VEVENT
END:VCALENDAR